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Shall We Dance?, by Lynn Patrick
Download PDF Shall We Dance?, by Lynn Patrick
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Will History Repeat Itself? Hollywood, 1953 Anita Brooks and Price Garfield were all the rage, perfect partners on and off the dance floor-until Price married an ambitious starlet and Anita fled to Broadway. Los Angeles, 2011 Anita's daughter, Gabrielle Brooks Lacroix, is lured to California to dance at the opening of a nostalgia club, Cheek to Cheek. The problem is her partner will be Kit Garfield, whose very name conjures up memories of her mother's heartbreak. Kit, however, has heard another version of the story-his father's. Can Gabby and Kit put aside yesterday's ghosts and follow their own dreams into the glittering future that beckons?
- Sales Rank: #5434115 in Books
- Published on: 2011-07-19
- Original language: English
- Number of items: 1
- Dimensions: 6.62" h x 1.01" w x 4.21" l,
- Binding: Mass Market Paperback
- 384 pages
Excerpt. © Reprinted by permission. All rights reserved.
New York, Present Day
Gabrielle Brooks Lacroix reached the half–open doorway in her mother's second–floor apartment just in time to catch the final clinch of the "Dance of Love" scene in White Tie and Tails. As she watched her mother's youthful monochrome image lovingly embrace that of Price Garfield, Anita herself looked on raptly from the peach–colored couch in front of the television.
"Life was meant to be a dance of love…"
Gabby instantly recognized the theme song from the famous nostalgia musical set in the thirties. After teaching three classes in a row, she'd left her first–floor Broadway Bound Dance School to relax in her own apartment upstairs. Even though she was pooped, Gabby couldn't ignore the fact that her mother was viewing her old movies again.
Opening the door wide, she asked loudly, "Feeling nostalgic today?"
Anita started and glanced over her shoulder. "Oh…hello, sweetheart." She immediately clicked the remote control, shutting off both the television and the DVD player. Then she smoothed back her white hair, as if she were trying to wipe away her guilty expression. "I didn't notice you standing there."
"I wasn't. I just heard the music and decided to see what you were up to."
Gabby wouldn't really care about her mother watching the old movies if Anita could do so unemotionally. Maybe, by now, that was possible. It had been quite a while since Anita had dug one of them out.
Her mother looked over Gabby's new lavender leotard and matching wrap skirt. "You look good in that color. You ought to wear it more often." She motioned to the overstuffed chair across from her. "Sit down and tell me how your classes are going."
Not particularly in the mood to discuss her work, Gabby skirted the couch to plop down in the chair. "The classes are fine. What have you been doing this afternoon?" she asked pointedly. Since Anita only coached a few special students herself, the older woman had plenty of time to indulge in past triumphs and troubles.
"Oh, a little of this and that," Anita hedged before changing the subject. "Did Heather get that part she tried out for?"
"Nope."
"Too bad."
Gabby sighed. "None of our students has gotten a job lately."
"Kirk's still dancing in that off–off–Broadway horror musical."
"If you can call doing the limbo as a zombie dancing."
"Ah, well, that's not the worst job in the world," Anita insisted. "Broadway candidates have to pay their dues."
In hopes of getting somewhere, Gabby thought, though many never did, including herself. She'd been fed up with the constant rat race by the time she'd retired last year. At thirty–three she'd been a little long in the tooth for Broadway chorus lines, anyway. She stretched out her legs, glancing down at her tights and kidskin dance slippers, eternal reminders of what might have been.
"If you want to go somewhere, I can get Jane to take my tap class this evening," Gabby offered, thinking she could use some extra time away from the school.
"I don't want to go anywhere. Can't we just sit here and share some small talk?" Anita asked sweetly. "I'm always interested in the business."
Certainly not because of the income, Gabby knew. When her father died of a heart attack two years before, he'd left his wife with enough investments to retire on and still continue to live comfortably in the Greenwich Village building they'd bought years ago.
"The school's in the black and everyone's doing a fine job," Gabby said. Her mother had given over the management of the business to her youngest child when Gabby had agreed to work with her. "I'm satisfied." She glanced at the television, thinking about the topic the older woman had cleverly avoided discussing. "How come you're watching your old movies, anyway? You know how they get to you."
Anita smiled reassuringly at the child she'd always been closest to. "You don't have to worry. I wasn't sitting here mooning over the past."
"Are you sure?"
"Absolutely."
Gabby remained suspicious. At seventy–five her mother was in excellent physical and mental health but still capable of becoming distressed over Brooks/Garfield movies. The first time Gabby had caught her mother viewing her personal copy of White Tie and Tails—with a VCR in pre–DVD days—Anita had been weeping openly. Ten–year–old, em–pathetic Gabby had been very upset and had needed to be comforted and urged to keep the secret from her absent father.
"I just wish you'd quit carrying a torch for that jerk Price Garfield, Mom."
Gabby was still resentful of the man who'd ruined her mother's life in more ways than one. Undoubtedly aware that he'd been second best, that his wife would never love him as much as he loved her, Robert Lacroix had immersed himself in his surgery practice ever since Gabby could remember. He'd been an uninvolved, distant father.
"I know Price for what he is," Anita said, sounding exceptionally calm.
Gabby was surprised. Her mother's faded blue eyes seemed brighter, as if, for once, she was more excited than sad after viewing the old film.
"Besides, Price wasn't dancing alone in those movies. I also enjoy watching myself," Anita went on. "After all, I don't have any film clips from my Broadway musicals." She laughed shortly. "Not that the critics would think that was footage worth saving."
"The Broadway critics were blind." Gabby was certain her mother's career had floundered merely because of bad luck precipitated by the split with Price Garfield. Anita had been the victim of lackluster scripts, forgettable songs and poor timing. "You were always a wonderful performer. You just didn't click with the right material." Something that had also happened to her the few times she'd won small roles, she reflected.
Anita rose to give Gabby a hug. "Have I told you lately you're a beautiful, wonderful daughter?"
"Not for a while."
"Well, you are. And you're a fabulous dancer to boot. Never forget that." Anita patted her daughter on the back before moving away. "A professional needs a healthy ego."
"Thanks, Mom. My ego can always use some strokes."
Gabby almost said she only wished she were still in the professional category, but thought better of it. Having feigned to be happy in retirement, to consider the school a new, invigorating challenge, she would only upset her mother if she admitted otherwise.
"Actually, I had a more practical reason for looking at White Tie and Tails this afternoon," Anita admitted as she headed for the bedroom. "Come on, I want to check on something."
Curious, Gabby followed, her footsteps muffled by the apartment's cream–colored, wall–to–wall carpeting. The peach shades dominating the living room carried through to the bedroom, as well, though the bedspread and the drapes were a pale Pacific aqua. A portrait of her mother—commissioned by her father just after they were married—hung over the bedroom fireplace, reminding Gabby of how much she looked like Anita.
"Here we are." Her mother threw open the lid of a small trunk that had been dragged outside the closet. Leaning over, she riffled through wads of tissue paper to withdraw a slippery satin gown. The smell of mothballs permeated the air. "Remember my costume from the 'Dance of Love' scene?"
"Of course I do."
The dress was her mother's favorite piece of memorabilia, one Gabby hadn't seen in years. Anita had kept her stash of old costumes, props and scripts hidden from her family, but Gabby had managed to find them. Another secret she'd had to keep from her father, she thought sadly as her mother stroked the material. Now yellowed with age, the once–white garment was a beautiful recreation of the thirties bias–cut.
"It's still gorgeous," Gabby murmured, fingering one of the skirt's wide godets. "The Metropolitan Museum's costume department would love to get their hands on this, especially since the Brooks/Garfield movies are considered classics of nostalgia."
"Well, I'm not giving it to them." Anita held the gown at arm's length, lining it up against Gabby as she narrowed her eyes. "Hmm, you're a little taller than I, and you have wider shoulders, but this dress might fit, anyway."
"You want me to try it on?"
"Don't you think that would be fun? We've got the same coloring, same eyes, a similar shade of hair." Anita paused. "At least I used to be a strawberry blonde." She sighed. "Time flies. Come on—let's see what you look like in this."
Unable to figure out why her mother was insisting, Gabby took the dress from her. "I suppose I can try the dress on, if that would make you happy."
"Making you happy is what I'm most concerned about." When Gabby raised her brows, Anita went on, "I don't want to do this just to get even, you understand. I'm hoping you can make a name for yourself."
Gabby didn't understand at all. She frowned. "What on earth are you talking about?"
"How would you like to go to L.A. to perform?"
"Perform in what?" Despite the crazy circumstances, Gabby's heart gave an excited lurch at the very thought of dancing professionally again.
"You've been offered a job appearing at the grand opening of a plush new Hollywood nostalgia club that will showcase re–creations of famous numbers from musicals of the '30s, '40s and '50s."
"By whom? And why would someone have contacted you instead of me?"
"Becaus...
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great Double Romance
By Clean Romance Reviews
This was a very enjoyable book. I was surprised at how much I enjoyed this story. It was almost a dual romance, following Anita and Price at the same time as Kit and Gabby. I loved the intertwining of the stories. I must say though, I felt the Anita and Price story was stronger with more conflict to deal with. The mirrored conflicts were still fun to see. Personally I sympathized with the men more than the women - but that's me. The side characters were not very evident, aside from Lucille, but with four main characters that didn't feel like a problem. Well written and fun - you definitely want to pick this one up.
0 of 0 people found the following review helpful.
Beautifully written
By AUWGL-UNC "Gray"
A beautiful story within a story. If you like old Hollywood, ballroom dancing and romance, you will love this book!
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