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O'Hurley's Return: Skin Deep\Without A Trace (The O'hurleys), by Nora Roberts
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Skin Deep
Chantel O'Hurley has parlayed talent, breathtaking beauty-and indominable will-into stardom. But though she needs Quinn Doran's protection now, the sexy, cynical P.I. Utterly infuriates her. . .threatening to melt her icy façade and ignite her heart.
Without a Trace
A life of adventure and intrigue has left Trace O'Hurley bitter and world-weary. But in the innocent arms of spirited damsel-in-distress Gillian Fitzpatrick, Trace finds himself longing for the life-and family-he left behind.
New York Timesbestselling author Nora Roberts creates unforgettable families--so prepare to be captivated by the O'Hurley's, whose lives are as remarkable as their unconventional beginnings. The dazzling O'Hurley triplets and their renegade older brother have each followed a very different destiny. Now the family is reunited in this special 2-in-1 volume.
- Sales Rank: #805774 in Books
- Brand: Silhouette
- Published on: 2005-02-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.25" w x 5.13" l,
- Binding: Paperback
- 432 pages
- Great product!
Review
"With clear-eyed, concise vision and a sure pen, Roberts
nails her characters and settings with awesome precision,drawing readers into a vividly rendered world of family-centered warmth and unquestionable magic."
-Library Journal
"Her stories have fueled the dreams of twenty-five million readers."
-Chicago Tribune
"Roberts' bestselling novels are some of the best in the romance genre. They are thoughtfully plotted, well-written stories
featuring fascinating characters."
-USA TODAY
"A superb author...Ms. Roberts is an enormously gifted writer whose incredible range and intensity guarantee the very best of reading."
-Rave Reviews
"A consistently entertaining writer."
-USA TODAY
"The publishing world might be hard-pressed to find an author
with a more diverse style or fertile imagination than Roberts."
-Publishers Weekly
About the Author
Nora Roberts is the number-one New York Times bestselling author of more than 200 novels, including The Collector, Whiskey Beach, The Witness, and many more. She is also the author of the bestselling futuristic suspense series written under the pen name J. D. Robb. There are more than 500 million copies of her books in print.
Excerpt. © Reprinted by permission. All rights reserved.
The house was big and cool and white. In the early-morning hours, a breeze came through the terrace doors Chantel had left unlatched, bringing in the scents of the garden. Across the lawn, hidden from the main house by trees, was a gazebo, painted white, with wisteria climbing up the trellises. Sometimes, when the wind was right, Chantel could catch the perfume from her bedroom window.
On the east side of the lawn was an elaborate marble fountain. It was quiet now. She rarely had it turned on when she was alone. Near it was the pool, an octagonal stone affair skirted by a wide patio and flanked by another, smaller, white house. There was a tennis court beyond a grove of trees, but it had been weeks since she'd had the time or the inclination to pick up a racket.
Surrounding the estate was a stone fence, twice as tall as a man, that alternately gave her a sense of security or the feeling of being hemmed in. Still, inside the house, with its lofty ceilings and cool white walls, she often forgot about the fence and the security system and the electronic gate; it was the price she paid for the fame she had always wanted.
The servants' quarters were in the west wing, on the first floor. No one stirred there now. It was barely dawn, and she was alone. There were times Chantel preferred it that way.
As she bundled her hair under a hat, she didn't bother to check the results in the three-foot mirror in her dressing room. The long shirt and flat-heeled shoes she wore were chosen for comfort, not for elegance. The face that had broken men's hearts and stirred women's envy was left untouched by cosmetics. Chantel protected it by pulling down the brim of her hat and slipping on enormous sunglasses. As she picked up the bag that held everything she thought she would need for the day, the intercom beside the door buzzed.
She checked her watch. Five forty-five. Then she pushed the button. "Right on time."
"Good morning, Miss O'Hurley."
"Good morning, Robert. I'll be right down." After flipping the switch that released the front gate, Chantel started down the wide double staircase that led to the main floor. The mahogany rail felt like satin under her fingers as she trailed them down. Overhead, a chandelier hung, its prisms quiet in the dim light. The marble floor shone like glass. The house was a suitable showcase for the star she had worked to become. Chantel had yet to take any of it for granted. It was a dream that had rolled from, then into, other dreams, and it took time and effort and skill to maintain. But then she'd been working all her life and felt entitled to the benefits she had begun to reap.
As she walked to the front door, the phone began to ring.
Damn it, had they changed the call on her? Because she was up and the servants weren't, Chantel crossed the hall to the library and lifted the receiver. "Hello." Automatically she picked up a pen and prepared to make a note.
"I wish I could see you right now." The familiar whisper had her palms going damp, and the pen slipped out of her hand and fell soundlessly on the fresh blotter. "Why did you change your number? You're not afraid of me, are you? You mustn't be afraid of me, Chantel. I won't hurt you. I just want to touch you. Just touch you. Are you getting dressed? Are you—"
With a cry of despair, Chantel slammed down the receiver. The sound of her breathing in the big, empty house seemed to echo back to her. It was starting again.
Minutes later, her driver noticed only that she didn't give him the easy, flirtatious smile she usually greeted him with before she climbed into the back of the limo. Once inside, Chantel tipped her head back, closed her eyes and willed herself to calm. She had to face the camera in a few hours and give it her best. That was her job. That was her life. Nothing could be allowed to interfere with that, not even the fear of a whisper over the phone or an anonymous letter.
By the time the limo passed through the studio gates, Chantel had herself under control again. She should be safe here, shouldn't she? Here she could pour herself into the work that still fascinated her. Inside the dozens of big domed buildings, magic happened, and she was part of it. Even the ugliness was just pretend. Murder, mayhem and passion could all be simulated. Fantasyland, her sister Maddy called it, and that was true enough. But, Chantel thought with a smile, you had to work your tail off to make the fantasy real.
She was sitting in makeup at six-thirty and having her hair fussed over and styled by seven. They were in the first week of shooting, and everything seemed fresh and new. Chantel read over her lines while the stylist arranged her hair into the flowing silver-blond mane her character would wear that day.
"Such incredible bulk," the stylist murmured as she aimed the hand-held dryer. "I know women who would sell their blue-chip stocks for hair as thick as this. And the color!" She bent down to eye level to look in the mirror at the results of her work. "Even I have a hard time believing it's natural."
"My grandmother on my father's side." Chantel turned her head a bit to check her left profile. "I'm supposed to be twenty in this scene, Margo. Am I going to pull it off?"
With a laugh, the stringy redhead stood back. "That's the least of your worries. It's a shame they're going to dump rain all over this." She gave Chantel's hair a final fluff.
"You're telling me." Chantel stood when the bib was removed. "Thanks, Margo." Before she'd taken two steps, her assistant was at her elbow. Chantel had hired him because he was young and eager and had no ambitions to be an actor. "Are you going to crack the whip, Larry?"
Larry Washington flushed and stuttered, as he always did during his first five minutes around Chantel. He was short and well built, fresh out of college, and had a mind that soaked up details. His biggest ambition at the moment was to own a Mercedes. "Oh, you know I'd never do that, Miss O'Hurley."
Chantel patted his shoulder, making his blood pressure soar. "Somebody has to. Larry, I'd appreciate it if you'd scout up the assistant director and tell him I'm in my trailer. I'm going to hide out there until they're ready to rehearse." Her co-star came into view carrying a cigarette and what Chantel accurately gauged to be a filthy hangover.
"Would you like me to bring you some coffee, Miss O'Hurley?" As he asked, Larry shifted to distance himself. Everyone with brains had quickly figured out that it was best to avoid Sean Carter when he was dealing with the morning after.
"Yes, thanks." Chantel nodded to a few members of the crew as they tightened up the works on the first set, a train station, complete with tracks, passenger cars and a depot. She'd say her desperate goodbyes to her lover there. She could only hope he'd gotten his headache under control by then.
Larry kept pace with her as she crossed the set, walking under lights and around cables. "I wanted to remind you about your interview this afternoon. The reporter from Star Gaze is due here at twelve-thirty. Dean from publicity said he'd sit in with you if you wanted."
"No, that's all right. I can handle a reporter. See if you can get some fresh fruit, sandwiches, coffee. No, make that iced tea. I'll do the interview in my dressing room."
"All right, Miss O'Hurley." Earnestly he began to note it down in his book. "Is there anything else?"
She paused at the door of her dressing room. "How long have you been working for me now, Larry? "
"Ah, just over three months, Miss O'Hurley."
"I think you could start to call me Chantel." She smiled, then closed the door on his astonished pleasure.
The trailer had been recently redecorated for her taste and comfort. With the script still in her hand, Chantel walked through the sitting room and into the small dressing area beyond. Knowing her time was limited, she didn't waste it. After stripping out of her own clothes, she changed into the jeans and sweater she would wear for the first scene.
She was to be twenty, a struggling art student on the down slide of her first affair. Chantel glanced at the script again. It was good, solid. The part she'd gotten would give her an opportunity to express a range of feeling that would stretch her creative talents. It was a challenge, and all she had to do was take advantage of it. And she would. Chantel promised herself she would.
When she had read Strangers she'd cast herself in the part of Hailey, the young artist betrayed by one man, haunted by another; a woman who ultimately finds success and loses love. Chantel understood Hailey. She understood betrayal. And, she thought as she glanced around the elegant little room again, she understood success and the price that had to be paid for it.
Though she knew her lines cold, she kept the script with her as she went back to the sitting room. With luck she would have time for one quick cup of coffee before they ran through the scene. When she was working on a film, Chantel found it easy to live off coffee, a quick, light lunch and more coffee. The part fed her. There was rarely time for shopping, a dip in the pool or a massage at the club until a film was wrapped. Those were rewards for a job well done.
She started to sit, but a vase of vivid red roses caught her eye. From one of the studio heads, she thought as she walked over to pick up the card. When she opened it, the script slid out of her hand and onto the floor. "I'm watching you always. Always."
At the knock on her door, she jerked back, stumbling against the counter. The scent of the roses at her back spread, heady and sweet. With a hand to her throat, she stared at the door with the first real fear she'd ever experienced.
"Miss O'Hurley…Chantel, it's Larry. I have your coffee."
With a breathless sob, she ran across the room and jerked open the door. "Larry—"
"It's black the way you—What's wrong?"
"I—I just—" She cut herself off. Control, she thought desperately. You lose everything if you lose control. "Larry, do you know anything about these flowers?" She gestured back, but couldn't look at them.
"The roses. Oh, one of the caterers found them while she was setting up breakfast. Since they had your name on them, I went ahead and put them in here. I know how much you like roses."
"Get rid of them."
"But—"
"Please." She stepped out of the dressing room. People. She wanted lots of people around her. "Just get rid of them, Larry."
"Sure." He stared at her back as she walked toward the set. "Right away."
Four aspirin and three cups of coffee had brought Sean Carter back to life. It was time to work, and nothing could be allowed to interfere with that—not a hangover, not a few frightening words printed on a card. Chantel had worked hard to project an image of glamour and style. She'd worked just as hard not to develop a reputation as a temperamental actress. She was ready when called and always knew her lines. If a scene took ten hours to shoot, then it took ten hours. She reminded herself of all of this as she approached Sean and their director.
"How come you always look as though you stepped out of the pages of a fashion magazine?" Sean grumbled, but Chantel observed that makeup had dealt with the shadows under his eyes. His skin was tanned and shaved smooth. His thick, mahogany-colored hair was styled casually, falling across his brow. He looked young, healthy and handsome, the dream lover for an idealistic girl.
Chantel lifted a hand and let it rest on his cheek. "Because, darling, I did."
"What a woman." Because the aspirin had made him
feel human again, Sean grabbed Chantel and leaned her back in a dramatic dip. "Let me ask you this, Rothschild," he said, calling to the director while his lips hovered inches from Chantel's. "How could a man in his right mind leave a woman like this?"
"It hasn't been established that you—or Brad," Mary Rothschild corrected, referring to the role, "is in his right mind."
"And you're such a cad," Chantel reminded Sean.
Pleased to remember it, Sean brought her up again. "I haven't played a real cad in about five years. I don't think I've properly thanked the writer yet."
"You can do it later today," Rothschild told him. "He's over there."
Chantel glanced over to the tall, rangy man who stood, chain-smoking nervously, on the edge of the set. She'd met him a handful of times in meetings and during pre-production. As she recalled, he had said little that hadn't dealt directly with his book or his characters. She sent him a vaguely friendly smile before turning back to the director.
As Rothschild outlined the scene, she pushed everything else out of her mind. All that would be left was the heartbreak and hope her character felt as her lover slipped away. Mechanically, their minds on angles and continuity, she and Sean went over their brief but poignant love scene.
"I think I should touch your face like this." Chantel reached up to rest her palm on his cheek and looked pleadingly into his eyes.
"Then I'll take your wrist." Sean wrapped his fingers around it, then turned her palm to his lips.
Most helpful customer reviews
21 of 22 people found the following review helpful.
Wonderful Nora Does it again
By apoem
Enjoyable. Both stories are strong and can stand on their own without the previous two stories published in "Born O'Hurley". However, these two stories are even more fun when you have read the previous two stories.
The characters are fun and believable and slightly off beat. The first story is about a movie star who has made it big and yet still finds true love. The second story is about her brother. I particularly liked the second story because it is not often you find a lovely romance written with a man as the main character.
Well worth every penny. A true Nora Roberts book.
Enjoy.
14 of 14 people found the following review helpful.
Oldie but goodie
By Cherise Everhard
This book contains the last 2 stories of the wonderful O'Hurley siblings.
In Skin Deep you have the story of Chantal the oldest triplet. She is the beautiful Hollywood actress who finds herself being stalked and harrassed by an unknown over eager fan. She reluctantly hires Quinn Doran to protect her and help find out who is messing with her. Quinn soon discovers her beauty is more than just Skin Deep.
In without a Trace we finally find out what older brother Trace O'Hurley has been up to all these years. Dr. Gillian Fitzpatrick offfers him $100,000 to help her find her brother and neice who have been kidnapped for their scientific knowledge of a project called Horizon. Gillian and Trace have an adventure ahead of them. Finally there is an O'Hurley reunion at the end.
This is a good early Nora Roberts book. I think you will enjoy it.
9 of 9 people found the following review helpful.
Even more fun than "Born O'Hurley"!
By Valerie Matteson
I enjoyed "Born O'Hurley" very much and if you haven't read it you should!! "O'Hurley's Return" is even more fun as it adds more adventure, intrigue and excitement. Chantel's story in "Skin Deep" is one that has been mimicked in real-life and we can relate to her frustration and fears. The romance and character development are well done by Ms. Roberts as she makes Quinn a hero but with flaws to humanize him. In the second story, "Without a Trace", we have some action and adventure and intrigue with a gutsy heroine in Gillian and a very reluctant hero in Trace. Lots of fun to read and enjoy. I've read it twice already!!
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